The work intercepts art, architecture, design, engineering, performance and chronicle as a collaborative action platform. It is an exercise in social criticism of a cooperative nature that uses the city as an experimental urban laboratory for public art.
It is built on machines, the construction machinery becomes a living space, it is built with what it builds. It is built on machines, the construction is inhabited. They are semantic interference exercises that ask questions to power. The works are instantaneous empowerment infrastructures, disobedient assemblies that develop a hybrid energy between the machine and human power. It is an installation that asks questions about the idealization of the modern domestic space, the ways of living in contemporary society, the policies of mass housing and the democratization of urban land. It is a semiotic device, a critical artifact. A political apparatus. A civic platform of public denunciation that makes visible, shows, warns, records and exposes the domestic, private, everyday and individual.